Adam Pendleton uses historical and aesthetic content from texts and visual culture to critically examine the resonance of ideas from varied cultural perspectives, including social resistance movements and Dada, Minimalism, and Conceptualism.

Across silkscreen paintings, photographic collage, video, performance, and publishing, Pendleton filters ideas and aesthetics from the Black Arts Movement, Minimalism, Conceptualism, and Dada through a graphic, monochromatic palette. The resulting pieces explore Blackness and race from myriad perspectives. Pendleton describes his work as “Black Dada,” a phrase originally coined by the poet Amiri Baraka. He has exhibited in New York, London, Paris, Berlin, Seoul, and Johannesburg. His work has sold for six figures at auction and belongs in the collections of the Guggenheim Museum, the Hirshhorn Museum and Sculpture Garden, the Long Museum, the Los Angeles County Museum of Art, the Museum of Modern Art, and the Tate.

Adam Pendleton

American

Main

Artist

Printer

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Untitled (Hey Mama Hey)