Eduardo Kobra, born in 1975 in a poor neighborhood in São Paulo, has become a globally recognized muralist. He holds the record for the largest graffiti mural since the 2016 Rio Olympics, with his works spanning 5 continents.

One of his famous works, 'The Kiss', was a colorful reinterpretation of Alfred Eisenstaedt's iconic photograph of the celebration of the end of World War II. Kobra began as a graffiti artist in his teens, facing warnings and arrests for unauthorized interventions. He started earning money from his art in the 1990s, leading to invitations to work with various companies and advertising agencies.

Kobra gained visibility in the 2000s through his Muro das Memórias project, where he reproduced old photos of São Paulo on the streets, using sepia tones and black and white, distinguishing his style from traditional graffiti. He became known for his historical images, bringing attention to significant places and fostering a sense of belonging.

Inspired by artists like Banksy, Eric Grohe, Keith Haring, and Diego Rivera, Kobra expanded his projects, addressing environmental concerns through his Greenpincel panels. He also ventured into three-dimensional street art, showcasing his work in São Paulo and around the world.

His art often reflects social issues, as seen in his Augmented Reality project and the Recortes da História series, which portrays important moments in human history. Kobra's Olhar a Paz project highlights historical figures who fought against violence and promoted peace.

Kobra's signature style includes hyper-realistic images of personalities like Oscar Niemeyer, Salvador Dalí, and Chico Buarque, adorned with vibrant and contrasting colors. He has painted murals in several countries, starting with Lyon, France, in 2011, and continuing to Spain, Italy, Norway, England, Malawi, India, Japan, United Arab Emirates, and various cities in North America.

Kobra currently resides and works in São Paulo.

Eduardo Kobra

Brazilian

Main

Artist

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The Kiss (O Beijo)