Futura (formerly Futura 2000), née Lenny McGurr, pioneered abstract street art in New York during the 1970s. While his contemporaries practiced traditional lettering, Futura combined text, imagery, thin aerosol lines, swaths of vibrant color, and a distinctive use of white space as he created dynamic, futuristic compositions; science fiction and computing technology have long informed his aesthetic. In the 1980s—alongside fellow artists Keith Haring, Jean-Michel Basquiat, and Kenny Scharf—Futura began exhibiting works on canvas in fine art gallery settings. In the ensuing decades, he’s exhibited at such institutions as the New Museum and the Museum of Contemporary Art, Los Angeles, and his work has sold for six figures at auction. Futura has also collaborated with fashion brands such as Supreme, Comme des Garçons, Nike, and Off-White.

Futura

American

Before he began exhibiting his work in galleries, André Saraiva was known as Monsieur A in graffiti communities. Saraiva was active in the early Parisian graffiti movement, alongside Space Invader and Zevs. He became identified with his iconic, cartoonish character: a round-headed figure with long limbs and a circle and a cross for eyes—a subject that recurred in Saraiva’s early canvas paintings. In the 2000s, Saraiva began a performative project called “Love Graffiti” in which he would spray paint the name of someone’s lover at an address of his or her choosing. His later works continued to employ line, text, and clean-edged geometry. In 2012, he created a large-scale installation titled Andrépolis, resembling a city based on Paris and New York in miniature scale with neon lighting.

André Saraiva

French

Swedish

Main

Artist

Printer

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Chez Nous (White)