Born in Nagano Prefecture, Japan, in 1984, Miwa Komatsu is an alumna of Joshibi University of Art & Design. During her time as a student, she created the notable work "The Forty-ninth Day," which marked a shift in her focus towards painting. Initially specializing in copperplate engraving, Komatsu has since diversified her artistic repertoire to include acrylic painting and Arita ware.

From an early age, Komatsu has had a heightened sensitivity to the invisible world, a perspective shaped by her profound experiences in nature. This unique outlook on life and death informs her belief in the spiritual equality of all beings, a central theme in her art, which she often describes as "Divine Spirits."

Komatsu's artistry has gained international recognition, with two of her Arita ware pieces featured in the British Museum's collection. Her works are also held by several prestigious institutions, including the World Trade Center, the Nagano Prefectural Art Museum in Nagano City, Japan, and the Xiao Museum of Contemporary Art in Rizhao, China.

Miwa Komatsu

Japanese

Main

Artist

Printer

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Sacred Connectedness