Ross Bleckner, born in 1949 in New York, was raised in the affluent community of Hewlett Harbor on Long Island. His early encounter with art came in 1965, when he visited The Responsive Eye, a seminal Op Art exhibition at the Museum of Modern Art. The experience proved formative, sparking his desire to become an artist. He pursued this path at New York University, where he studied under Sol LeWitt and Chuck Close, earning his BA in 1971. He then completed his MFA at the California Institute of the Arts in Valencia in 1973, where he met fellow artist David Salle.Returning to New York, Bleckner moved into a loft building in Tribeca in 1974. He later sold the building in 2004, but during the 1970s and early ’80s, it housed both the artist Julian Schnabel and the legendary Mudd Club, a cultural hotspot for musicians and artists. Bleckner’s first solo exhibition took place in 1975 at Cunningham Ward Gallery, and in 1979 he began a long relationship with Mary Boone Gallery, which became a central platform for the emerging art stars of the 1980s. In 1981, he met Swiss dealer Thomas Ammann, who became a key supporter and collector of his work.Bleckner’s Stripe paintings of the early 1980s—visually resonant with Bridget Riley’s Op Art—met with mixed critical reception. He followed them with his Weather series in 1983, marking a shift toward more atmospheric and emotionally charged imagery. His work gained significant recognition in 1984 when a single large painting was exhibited at Nature Morte in New York’s East Village. Around this period, he began creating elegiac compositions featuring chandeliers, candelabras, and ornate motifs suspended against dark backgrounds—symbolic memorials responding to the AIDS epidemic. His emotionally powerful pieces, such as 8,122+ as of January 1986 (1986), reflected the mounting death toll, while others used pointillist marks to evoke AIDS-related lesions or commemorated individual victims.In the late 1980s and early 1990s, Bleckner developed several new series. His Constellation paintings (1987–93) evoke celestial arrangements, while the Architecture of the Sky series (1988–93) references domed interiors, suggesting cosmic or spiritual spaces. During this time, he also began his Cell paintings, microscopic explorations of diseased cellular structures, inspired in part by his father's battle with cancer. These cellular forms—ranging from DNA strands to malignancies—would become a sustained visual theme in his work. In later years, he also produced a series of haunting bird paintings (1995–2003) and expanded his technical repertoire with new surfaces and airbrush techniques. In 1993, he acquired Truman Capote’s former residence in Sagaponack, Long Island.Bleckner's institutional recognition began with his first solo museum show at the San Francisco Museum of Modern Art in 1988. He has since been featured in numerous major exhibitions, including a midcareer retrospective at the Solomon R. Guggenheim Museum in 1995. His work has appeared in multiple Whitney Biennials (1975, 1987, 1989), the Biennale of Sydney (1988), and the Carnegie International (1988), among other prominent group exhibitions focusing on abstraction and contemporary themes. He continues to live and work in New York.

Ross Bleckner

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Dream and Do III