Brice Marden
American
Renowned for blending Abstract Expressionism with Minimalism, Brice Marden’s paintings reveal a masterful command of color, form, and spatial nuance. His distinctive style—characterized by long, looping strokes of vivid paint set against monochromatic backgrounds—was deeply shaped by his environment, ranging from the bustling streets of New York City to the serene landscapes of the Aegean Islands, both of which he called home.Born in Bronxville, New York in 1938, Marden earned a Bachelor of Fine Arts from Boston University before completing a Master of Fine Arts at the Yale School of Art. There, he studied under influential artists such as Alex Katz and Jon Schueler, and formed connections with classmates like Richard Serra, Chuck Close, Nancy Graves, and Vija Celmins. Reflecting on his time at Yale, Marden once said, “When I got to Yale, I painted one self-portrait and that was the last figurative painting I ever did.”Marden's dedication to abstraction deepened in the 1960s, particularly during his time working as a guard at Jasper Johns’ 1964 retrospective at the Jewish Museum in New York. “Jasper has been a big influence on my work,” Marden recalled in 2019. “He added another dimension to what is reality in painting.”His first solo exhibition, held at Manhattan’s Bykert Gallery in 1966, introduced the public to his innovative use of oil and beeswax. Works like Nebraska—a monochromatic canvas in a muted blue-grey, inspired by a drive through the American Midwest—showcased his early explorations in surface and tone. That same year, he also began working as a studio assistant to Robert Rauschenberg, further embedding himself in the New York art scene.In the 1970s, Marden became known for his serene panel paintings—typically diptychs and triptychs rendered in just a few carefully chosen hues, such as red, yellow, and blue. He exhibited at Documenta 5 in Kassel in 1972 and the Whitney Biennial in 1973, and was honored with a mid-career retrospective at the Guggenheim in 1975. Around this time, he and his wife, artist Helen Marden, began spending time on the Greek island of Hydra, eventually purchasing a home there.Throughout the 1980s, Marden explored geometric abstraction on slabs of Greek marble, in a nod to the classical forms of artists like Piet Mondrian. In the 1990s, this geometric phase gave way to the gestural, calligraphic lines that would become his signature—lyrical, continuous movements across the canvas that embodied both precision and spontaneity.In 2017, Marden joined Gagosian gallery, marking a new chapter in his career. His market reached new heights in 2020 when Complements, a diptych in vibrant orange and blue painted between 2004 and 2007, sold for $30.9 million at auction—a record for the artist. Marden passed away in New York in 2023 at the age of 84, leaving behind a legacy that bridged gesture and restraint, emotion and intellect.