Post Punk Flower (Red)
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Artwork Specifications
11-01-2022
Print - Letterpress on cream cotton paper with hand-deckled edges
375
$85
£
€
$
Self-released
Specifications
11-01-2022
Print - Letterpress on cream cotton paper with hand-deckled edges
375
$85
£
€
$
Self-released
About The Artist
American, b. 1970
Shepard Fairey is an American graphic artist, activist, and pivotal figure in the Street Art movement, celebrated for his bold visual language and politically charged imagery. Alongside artists such as Banksy and Mr Brainwash, Fairey helped shift street art into mainstream cultural consciousness through murals, stickers, prints, and public interventions that merge typography, propaganda aesthetics, and social critique. Born in Charleston, South Carolina in 1970, he studied illustration at the Rhode Island School of Design, graduating in 1992. Fairey first gained widespread attention with his 1989 André the Giant Has a Posse sticker campaign, which later evolved into his landmark Obey series. This project established the foundation of his visual identity and paved the way for his global influence. He is perhaps best known for Hope (2008), the red, white, and blue portrait of Barack Obama that became an iconic symbol of the presidential campaign and one of the most recognisable political images of the twenty-first century. In 2017, he produced a series of posters featuring diverse women in response to xenophobic rhetoric during the U.S. election cycle. Fairey’s works are held in major institutions including the Smithsonian, the Los Angeles County Museum of Art, and the Victoria and Albert Museum, reflecting the enduring power of his artistic and activist legacy.
Shepard Fairey’s artistic practice grew out of skateboarding culture, punk design, and DIY creative ethos. After his time at the Rhode Island School of Design, he continued to expand the reach and scale of his work through public space interventions and independent printmaking. His Obey campaign, derived from the André the Giant sticker, explored themes of power, influence, and the psychology of propaganda, encouraging viewers to question authority and examine how imagery shapes public perception.
Throughout his career, Fairey has blended commercial, graphic, and fine art aesthetics, embracing both street-level distribution and gallery exhibition. His posters, murals, and prints circulate widely, often addressing social justice concerns including environmental activism, anti-war sentiment, racial equality, and human rights. Today he lives and works in Los Angeles, where he continues to produce artworks and large-scale public projects that challenge cultural narratives and promote civic engagement.
American, b. 1970
Shepard Fairey is an American graphic artist, activist, and pivotal figure in the Street Art movement, celebrated for his bold visual language and politically charged imagery. Alongside artists such as Banksy and Mr Brainwash, Fairey helped shift street art into mainstream cultural consciousness through murals, stickers, prints, and public interventions that merge typography, propaganda aesthetics, and social critique. Born in Charleston, South Carolina in 1970, he studied illustration at the Rhode Island School of Design, graduating in 1992. Fairey first gained widespread attention with his 1989 André the Giant Has a Posse sticker campaign, which later evolved into his landmark Obey series. This project established the foundation of his visual identity and paved the way for his global influence. He is perhaps best known for Hope (2008), the red, white, and blue portrait of Barack Obama that became an iconic symbol of the presidential campaign and one of the most recognisable political images of the twenty-first century. In 2017, he produced a series of posters featuring diverse women in response to xenophobic rhetoric during the U.S. election cycle. Fairey’s works are held in major institutions including the Smithsonian, the Los Angeles County Museum of Art, and the Victoria and Albert Museum, reflecting the enduring power of his artistic and activist legacy.
Shepard Fairey’s artistic practice grew out of skateboarding culture, punk design, and DIY creative ethos. After his time at the Rhode Island School of Design, he continued to expand the reach and scale of his work through public space interventions and independent printmaking. His Obey campaign, derived from the André the Giant sticker, explored themes of power, influence, and the psychology of propaganda, encouraging viewers to question authority and examine how imagery shapes public perception.
Throughout his career, Fairey has blended commercial, graphic, and fine art aesthetics, embracing both street-level distribution and gallery exhibition. His posters, murals, and prints circulate widely, often addressing social justice concerns including environmental activism, anti-war sentiment, racial equality, and human rights. Today he lives and works in Los Angeles, where he continues to produce artworks and large-scale public projects that challenge cultural narratives and promote civic engagement.