Peter Doig’s serene, fantastical paintings feature kaleidoscope landscapes punctuated by enigmatic, partially obscured figures. Doig frequently draws inspiration from his own memories of childhood in Canada; the blurred, ethereal quality of his canvases reflects the vagaries of time and recollection. His settings have ranged from calm oceans to deep forests, and canoes have served as a frequent motif. Doig has been the subject of solo shows at institutions including Tate Britain, the Musée d’Art Moderne de Paris, and the Dallas Museum of Art. His work has sold for more than $10 million on the secondary market and belongs in the collections of the British Museum, the Art Institute of Chicago, the Museum of Modern Art, and the Metropolitan Museum of Art.

Peter Doig creates serene yet dreamlike paintings where kaleidoscopic landscapes unfold around enigmatic, partially obscured figures. His work often draws from memories of his childhood in Canada, filtering these recollections through a soft, blurred visual language that echoes the instability of memory itself. From quiet lakes to dense forests, his settings feel suspended between reality and imagination, with motifs such as canoes becoming recurring symbols of solitude, transition, and reflection. Doig’s work has been celebrated in solo exhibitions at Tate Britain, the Musée d’Art Moderne de Paris, and the Dallas Museum of Art. On the secondary market his paintings have sold for more than $10 million, and they are held in major institutions including the British Museum, the Art Institute of Chicago, the Museum of Modern Art, and the Metropolitan Museum of Art.

## About Peter Doig

Born in Scotland in 1959, Peter Doig spent much of his childhood in Trinidad and Canada before later returning to Trinidad as an adult. These landscapes, climates, and cultural shifts became foundational to his visual imagination. Doig studied at Wimbledon School of Art, St Martin’s School of Art, and Chelsea School of Art, where he developed a painterly language rooted in atmosphere, ambiguity, and emotional resonance.

His rise in the 1990s coincided with a renewed interest in figurative painting, yet Doig’s approach remained distinct for its subtlety and its resistance to straightforward narrative. Whether depicting winter forests, lone skiers, or a canoe floating across a mirrored lake, his works feel like fragments of memory held just beyond full understanding. This sense of suspended time has become central to his reputation as one of the most influential contemporary painters working today.


Peter Doig

British

Main

Artist

Printer

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Lion in the Road (Small)