
Bob Dylan|Point Blank
All Point Blank Works By Bob Dylan (10)
Significance & Analysis
'Point Blank' brings Dylan back to the method behind 'The Drawn Blank Series': draw first, then return to the drawing with paint.
Quick studies, painted later
The source drawings are pencil "quick studies" made in 2021 and 2022. Dylan has described drawing as a way to "relax and refocus a restless mind" amid busy touring schedules. He later painted over the sketches in acrylic with loose, expressive brushwork, and has said the idea was to create "living, breathing entities that have emotional resonance, colours used as weapons and mood setters". The approach echoes the graphite drawings he made on the road between 1989 and 1992, which became 'The Drawn Blank Series' once he reworked them in colour.
The finished paintings were first shown at Halcyon Gallery in London from 9 May 2025, in a solo exhibition of 97 new works on paper. Their subjects range from musicians and couples to athletes, objects, rooms and places. Dylan described the aim: "The idea was not only to observe the human condition, but to throw myself into it with great urgency."
Eight images chosen for print
The editions narrow that range to two groups. 'Concert Pianist', 'Jazz Guitar Player', 'Piano Player' and 'Young Man With A Horn' are introspective portraits of musicians: the saxophonist in 'Young Man With A Horn' looks down at his instrument rather than out at an audience, and 'Piano Player' sets the pianist among friends in a room. 'Little Bridge', 'Stockholm', 'Stone Bridge' and 'Under The Bridge' turn to bridges and water. The series was presented as studies of subjects Dylan had encountered or imagined, without saying which is which, so the narrative behind each scene is left to the viewer.
As giclées, the prints reproduce the colour and brushwork of the paintings on a flat sheet.