
Andrew Scott|Breakthrough
All Breakthrough Works By Andrew Scott (12)
Significance & Analysis
'Breakthrough', Scott's debut international solo show, set out the subject that runs through his editions: a figure fighting its way out of the frame. The show went live online on 12 June 2023 with 16 new works, and every original sold instantly on release. The editions kept the physical act at the heart of the originals. A slow-motion film of the 'Slingshot' release shows Scott dropping a centre punch on the glass, the same method used to crack the glass of every 'Slingshot' print.
The editions
'Slingshot' was sold for one week only as a timed edition, and the edition size was fixed afterwards at the number sold: 192. 'Escape', 'Foul Ball' and 'The Boxer' followed on 23 June 2023 in the same edition size, so that the four could be collected together as a set. 'Push' arrived in December 2023 in an edition of 250 plus 25 artist's proofs, framed in the same mouldings and wood as the first four so that it would hang alongside them, and it sold out in three days.
'Smash', released in March 2024, was a work from the original show that had never been editioned. Scott dates the idea of a man shattering his way out to his earliest frame experiments. Hesitant until then to bring new colours into his work, he issued it in red, black, gold and grayscale, each print hand finished with a hammer.
Weight and escape
Scott has described 'Push' in personal terms: "The frame being a literal weight on my shoulders that I struggle to hold up." He made 'Burden' as its companion in 2023 but held it back until March 2026, saying that while 'Push' tells a story of triumph, 'Burden' shows "someone trying to hold things together." 'The Axe', first tried in 2023 and released in July 2026, belongs with 'Escape' and 'Smash' in what he calls "self portraits of myself escaping from the frame."
Before and after
The 'Breakthrough' editions are rooted in destruction: cracked glass and broken frames. In Frame of Mind (2024) Scott turned to string, cut mats and corner frames, and Parallel Worlds (2025) took him further into folded paper, reshaped frames and sculptural additions.