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Friends (Gemini G.E.L. 1976–77)

David Hockney made the lithograph portraits in 'Friends (Gemini G.E.L. 1976–77)' in Los Angeles, with the people around him as sitters. Among them were the curator Henry Geldzahler, Hockney's companion Gregory Evans and the film director Billy Wilder. The sheet sizes vary greatly and range from a small head of Evans, about 26 x 24 cm, to portraits more than a metre tall. Gemini G.E.L. published each print in its own edition.

All Friends (Gemini G.E.L. 1976–77) Works By David Hockney (16)

Significance & Analysis

'Friends' is Hockney's portrait of his own circle in the mid-1970s. At the start of 1976 he drove across the country from New York to Los Angeles with Gregory Evans, and over the following months he made these lithographs at the Gemini workshop.

Drawn from sittings

A 1976 photograph by Sidney Felsen, one of Gemini's co-founders, shows Henry Geldzahler sitting for Hockney. Two prints carry a place and dates in the image: 'Donald Cribb' is inscribed "Hollywood March 28-29 / 1976", and 'Peter Schlesinger (Sepia)' "Hollywood May 19th, 1976". Two sitters recur: Geldzahler appears in seven of Hockney's Gemini prints of 1976 and 1977, and Evans in five. Geldzahler was then curator of twentieth-century art at the Metropolitan Museum of Art and one of Hockney's closest friends. The portraits of him run from 'Henry With Cigar', on a sheet of about 27.5 x 26.7 cm, to 'Henry At The Table', a landscape sheet more than a metre wide. 'Gregory Thinking Of Henry' brings the two men together in its title.

Line, colour and paper

Gemini printed the series on several papers, among them Arches Cover, grey Rives BFK and Laurence Barker's handmade paper. A few prints use colour. 'Henry Seated With Tulips' is printed in colours on buff paper, and its trial proofs are numbered up to 18. 'Billy Wilder' is a colour lithograph on Japanese Okawara paper, and 'Peter Schlesinger (Sepia)' is printed in red-brown. Gemini's printers on the series included Mark Stock, James Webb and Anthony Zepeda.

Before and after

The series brought Hockney back to Gemini after the lithographs he made there in 1973, which already included portraits of Henry and Celia. He returned in 1979 for the 'Celia and Ann Lithographs (Gemini G.E.L. 1979–81)', among them 'Ann Combing Her Hair' and 'Celia Reclining'. Hockney made 25 prints at Gemini in 1976 and 1977, against 12 in 1979, so 'Friends' is the largest of these groups of Gemini portraits.

Auction results

'Henry Seated With Tulips' made £15,480 including fees at Phillips London on 19 September 2026. At Phillips New York in June 2023, 'Joe Macdonald' made $8,890 and 'Gregory Reclining' $6,350. A studio proof of 'Henry At The Table' sold for £6,985 at Phillips London in September 2024. All three prices include fees.

How Large Is Each Friends Edition?

They vary widely. 'Mo McDermott' is the largest edition at 100, followed by 'Joe Macdonald' (99), 'Small Head Of Gregory' (98), 'Henry Geldzahler With Hat', 'Henry At The Table' and 'Christopher Isherwood And Don Bachardy' (96 each), 'Nicholas Wilder' (95) and 'Brooke Hopper' (92). 'Gregory Evans', 'Henry Seated With Tulips' and 'Peter Schlesinger (Sepia)' are 90 each, 'Henry Reading The Newspaper' 71, 'Sidney In His Office' 60 and 'Donald Cribb' 59. The smaller editions are 'Billy Wilder' and 'Michael Crichton' (43 each), 'Gregory Thinking Of Henry' (30), 'Gregory Reclining' (28), 'Henry With Cigar' (25) and 'Henry In His Office' (20).

Who Else Sat for the Friends Prints?

Hockney's sitters came from the worlds of art, writing, film and fashion. The writer Christopher Isherwood and the painter Don Bachardy, a couple, sat together, as they had for Hockney's 1968 painting of them. 'Nicholas Wilder' portrays the dealer whose Los Angeles gallery gave Hockney a solo show in May 1976, and 'Joe Macdonald' the fashion model Joe Macdonald.

Why Are Some Friends Prints Dated 1976 and Others 1977?

Because the work ran across the turn of the year. 'Gregory Reclining' is catalogued as 1976, published 1977. 'Henry Reading The Newspaper', 'Henry With Cigar' and 'Sidney In His Office' are dated 1977, although their workshop numbers begin DH76, and a proof of 'Henry In His Office' is signed '76'. Some auction catalogues give these prints as 1976, so the same work can appear with either date.

What Do the Numbers and Stamps on a Friends Print Mean?

The number in pencil or crayon gives an impression's place in its edition, such as 35/60. Artist's proofs sit outside that count, as do studio proofs, which are annotated 'S.P.' with a Roman numeral. Most editions had between 11 and 20 artist's proofs; 'Gregory Reclining' had eight and 'Henry In His Office' six. Impressions catalogued at auction carry Gemini's blindstamp, and many also have its inkstamp and a pencilled DH76 or DH77 workshop number on the back.

David Hockney Series

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