Damien Hirst|All SeriesAll Artwork Series

'Currency' covers 'The Currency', Damien Hirst's 2021 HENI project of 10,000 unique enamel spot paintings on paper sold as NFTs, and its 2022 prints. Owners had a year to choose between the NFT and the work on paper; whichever they gave up was burned. 'H11 - The Currency Unique Prints' then turned details of the paintings into 1,000 one-off giclée prints.

Damien Hirst X Invader X Shepard Fairey' gathers 14 HENI prints from 'Triple Trouble', the 2025–26 show at London's Newport Street Gallery. In silkscreens and giclée prints, Hirst's spots, spin paintings, butterflies and cherry blossoms meet Invader's pixel aliens and Fairey's Obey graphics, in pairs and, in one print, all three together.

Damien Hirst's For The Love Of God prints picture his 2007 diamond skull, in editions made between 2007 and 2015 and largely published by Other Criteria. Several carry real diamond dust over glazed colour, and they show the platinum skull from the front, in profile and in groups, against black, white or grey grounds.

Spots brings together Damien Hirst's prints of coloured circles, issued from 2000 by Eyestorm, Paragon Press, Other Criteria and others. It is a theme rather than one release: most titles name a drug or chemical, and the works range from photographic lambda prints to etchings, glittering screenprints and woodcuts.

The Souls' is Damien Hirst's 2010 series of foil block butterfly prints, published jointly by Paul Stolper and Other Criteria: four images in 80 colourways. Each colourway was editioned at 15, with five artist's proofs, and printed in two or three foils on a 72 x 51 cm sheet of Arches 88 paper.

Damien Hirst's 'H9 - The Virtues' is a 2021 HENI Editions series of eight laminated giclée prints on aluminium, taken from his 'Cherry Blossoms' paintings. Each 120 x 96 cm work is named after one of the Eight Virtues of Bushidō, from Justice and Courage to Loyalty and Control.

'H4 - Veils' is Damien Hirst's set of eight HENI giclée prints on aluminium, released in 2018 and 2020 after his 'Veil Paintings'. Each Diasec-mounted panel measures 92 x 126 cm, captures a passage of the paintings' dense, dotted impasto, and was issued in an edition of 75 plus five artist's proofs.

Damien Hirst's '40 Woodcut Spots' is a 2011 Paragon Press series of 40 woodcuts on Somerset paper, each editioned at 55. Every sheet keeps the spot-painting rule of equal circles, evenly spaced and never the same colour twice, but the formats run from a single spot on a sheet about 15 cm square to grids of twenty or more on sheets 80 cm high.

'H15 - Archangels' is a set of four framed giclée prints on paper that Damien Hirst released with HENI in April 2024, each in an edition of 100. Every long, 52 x 144 cm image comes from one of four 'Cherry Blossoms' paintings in four panels, named after the archangels Raphael, Uriel, Michael and Gabriel.

Damien Hirst released 'H17 - Civilisation' with HENI in August 2024: four framed giclée prints on cotton rag, each 143 x 112 cm. They come from his 'Civilisation Paintings', imagined cityscapes in which towers rise out of bright, overgrown greenery.

'H3 - Colour Charts' brings together Damien Hirst's two 2017 HENI colour chart prints on aluminium, H2 and H3, each in an edition of 250. Both picture a commercial paint chart of named, numbered swatches: H2 is finished with spot varnish, while H3, 'Colour Chart Glitter', is screenprinted in glitter.

Published by HENI in 2018, 'H5 - Colour Space' is a set of eight 90 x 90 cm Diasec-mounted giclée prints on aluminium by Damien Hirst. Each reproduces one of his 2016 Colour Space paintings, in which overlapping spots of colour float free of a grid. Each image is limited to 100 numbered copies and ten artist's proofs.

Damien Hirst's first numbered release with HENI, 'H1 - Enter The Infinite' 2016, is a set of 12 jacquard-woven tapestries, each 250 x 250 cm. Every design was built from sections of one 2008 'Spin Painting', reflected and repeated into a symmetrical burst of colour, and each design was woven in an edition of 20, with four artist's proofs.

Thick dabs of blossom paint, seen close up, fill 'H8 - Fruitful And Forever', Damien Hirst's 2020 HENI series of four prints in laminated giclée on aluminium. They reproduce two passages of his 'Cherry Blossoms' paintings at two sizes apiece and were sold to raise money for Save the Children in Italy.

Fourteen hearts, each holding a single butterfly, make up the 2015 Valentine's portfolio 'I Love You' that Damien Hirst released through Paul Stolper in London. Eight hearts are silkscreened in colour and six laid in gold leaf, and every 100 x 70 cm sheet of Somerset Satin paper was editioned in 14.

Damien Hirst's 'In A Spin' etchings, made in 2002 and published by The Paragon Press, fill two portfolios: 23 prints in Volume I and 14 in Volume II. Hirst scored the copper plates while they turned on his spin machine, and every portfolio box carries a unique spin painting in household paint.

Damien Hirst brought his skulls, his diamond skull and his butterflies together in 'Memento', a 2008 Paragon Press portfolio of 13 photogravure etchings. Each 119.5 x 108 cm sheet sets a single subject against a black ground, and every image was editioned in 30.

Disney's best-known mice, rebuilt from coloured spots, star in Damien Hirst's 'Mickey & Minnie', Other Criteria screenprints made from 2014 to 2016. The group runs from plain and blue-glitter Mickeys to a pink-glitter Minnie and 'Beautiful Mickey', which sets the mouse inside a spin painting.

Each of the six prints in Damien Hirst's 'New Beginnings', a 2011 Paragon Press set of polymer gravures, shows one butterfly on a flat ground of colour. The 66 x 49 cm sheets of Zerkall paper were editioned in 55, with a different species and background on each.

Each of Damien Hirst's 'Psalms' screenprints takes its Latin title from a psalm and its image from his butterfly kaleidoscopes; Other Criteria published them from 2009. Many are finished with glaze and diamond dust, others with glaze alone, and they were issued in several sizes.

Rainbow stripes of butterfly wings fill Damien Hirst's 'H7 - Rainbow Editions', a charity release HENI sold in May 2020 as laminated giclée prints on aluminium. Its two designs, 'Butterfly Rainbow' and 'Butterfly Heart', were each issued in a large and a small size, four prints in all, during the first months of the Covid-19 pandemic.

In 2019 Damien Hirst and HENI produced 'H6 - The Aspects' with the Fondation Beyeler: five butterfly panels printed in giclée on aluminium composite and Diasec-mounted. Each 100 x 100 cm panel arranges blue and white butterfly wings into a kaleidoscopic pattern and carries the name of a virtue, from 'Mercy' to 'Truth'

Every work in 'H12 - The Beautiful Paintings' is unique: Damien Hirst's 2023 HENI release let buyers generate their own spin paintings on canvas. The giclée canvases come as circles or squares in four sizes, from 23 to 100 cm, making eight formats, and Hirst hand-signed each one on the front.

Damien Hirst's 'The Cure' is a set of 30 screenprints made in 2014 with the London gallery Paul Stolper and Other Criteria, each in an edition of 15. Each 72 x 51 cm sheet sets one two-tone capsule, far larger than life, against a flat ground, and no two prints share the same three colours.

'The Dead' is a 2009 portfolio of 30 foil block skulls by Damien Hirst, a joint release of Paul Stolper and Other Criteria with each colourway editioned at 15. A single skull image recurs throughout, pressed in two foils on Arches 88 paper measuring 72 by 51 cm, and each title names its pair of foils, from oriental gold and turquoise to racing green and chilli red.