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In A Spin

Damien Hirst's 'In A Spin' etchings, made in 2002 and published by The Paragon Press, fill two portfolios: 23 prints in Volume I and 14 in Volume II. Hirst scored the copper plates while they turned on his spin machine, and every portfolio box carries a unique spin painting in household paint.

All In A Spin Works By Damien Hirst (37)

Significance & Analysis

'In A Spin' is where Hirst's spin paintings became printmaking, and it pushed etching close to its limits. Instead of pouring paint onto a rotating canvas, he fixed copper plates to the machine and drew into them as they spun, using needles, screwdrivers and other sharp tools. The work went on for days and came close to performance. The action of the world on things The full title, 'In a Spin, the Action of the World on Things', borrows a phrase Hirst first used in 1999 to separate two strands of his work: an involvement with death and decay, and a strand of ideas, life and colour. The concentric rings were prompted by a long-exposure photograph he had taken of the night sky, in which the stars trace circles as the Earth turns, and Volume II includes that photograph. The spin can be read as the planet's own rotation, recorded on a plate. Songs in the grooves Many of the titles are borrowed from pop songs, from 'I Get Around' and 'Twist And Shout' to 'Spin Me Right Round' and 'How To Disappear Completely', and lyrics appear on many sheets. The fine concentric lines also resemble the grooves of a vinyl record, a nod to Hirst's long involvement with music. Each etching is a flat sheet of Hahnemühle paper, but the plate's scored and bitten lines give it the raised relief of intaglio. At auction Complete volumes set the level for the series. Both volumes together, each numbered 15, fetched $76,200 (roughly £61,300) at Phillips New York in April 2023, the top price of the past five years. On its own, a complete Volume I with its 23 etchings and painted cover realised £50,062, premium included, at Bonhams London in June 2019. Before and after 'In A Spin' was Hirst's second portfolio with The Paragon Press, after the screenprints of 'The Last Supper' (1999), and the one in which he turned to etching. The press later turned his skulls and butterflies into large photogravures, gathered in Memento (2008). The spin itself returned to his prints two decades later in H12 - The Beautiful Paintings (2023), now as giclées on canvas taken from spin paintings.

Why Are The In A Spin Prints Named After Songs?

Because the set is steeped in the music Hirst loves, and the spinning plates resemble records. Song titles such as 'Helter Skelter', 'Revolution', 'Spinning Around' and 'Windmills Of My Mind' play on circles and turning, and lyrics run through many of the sheets. A few titles are Hirst's own, such as 'Billy Mill Roundabout' and 'You Threw A Melon At My Head'.

How Many In A Spin Etchings Were Made?

Each volume was published in 68 numbered sets, with a small number of proof sets. Volume I holds 23 etchings on sheets of about 91 x 70 cm; Volume II holds 14 on larger sheets of 112 x 91.5 cm, with a signed photograph of the night sky. Every etching is signed in pencil, and each set is numbered on its colophon page, so single sheets out of a portfolio carry no set number.

What Is The In A Spin Painted Cover?

The front of each portfolio box is an original spin painting in household paint, with the title screenprinted over it. No two are alike, so a cover is a unique work in its own right and is sometimes sold separately from the etchings. A complete set with its painted cover and colophon is worth more than the same prints sold loose.